Zirconium Ash by Jimmy Vega
Review Paul Vangelisti Review Paul Vangelisti

Zirconium Ash by Jimmy Vega

The innovative voice of this first book doesn’t settle for a display of prowess, but embodies a young poet’s attempt to discover, in the words of Ezra Pound circa 1912, “a language to think in.”

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Green Wind
Film Poem Magra Books Film Poem Magra Books

Green Wind

A film poem by Corrado Armanetti, based on Paul Vangelisti's "Green Wind," written and shot in the Lunigiana region of northwestern Tuscany. 2025. Color. Running time: 6:19.

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Another Academy
Essay Paul Vangelisti Essay Paul Vangelisti

Another Academy

All this made a curious impression when Bukowski told me a story about his early devotion to Fante.

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Authority and Stupidity
Essay David Lloyd Essay David Lloyd

Authority and Stupidity

To this consistent authoritarian, a eugenicist and a fascist sympathizer who would go on to write unsingable marching tunes for the Blueshirts, the somewhat bathetic Irish version of Mussolini’s Blackshirts and Hitler’s Brownshirts, liberals regularly turn to lament the descent of democracies into social chaos, whether they see those responsible as the anarchist “infantile left” or the Hawaiian-shirted Proud Boys on the right. Over and over again, we hear cited “Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world” and then, inevitably, “What rough beast … Slouches towards Bethlehem to be born.”

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E-MAIL FROM HARRY BERNSTEIN (4/3/25)
Essay Paul Vangelisti Essay Paul Vangelisti

E-MAIL FROM HARRY BERNSTEIN (4/3/25)

I'm still trying to narrow down the folks who I know will be brilliant; a couple more have occurred to me: Ben Goldberg (clarinet) and Derren Johnston (trumpet). We have an embarrassment of riches here in the bay area.  I'll decide soon enough. 

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for Le parole e le cose 7 (2024)
Essay Paul Vangelisti Essay Paul Vangelisti

for Le parole e le cose 7 (2024)

A few thoughts, mostly historical, about the use of “I” and its more refined collaborator, the editorial “we,” in U.S. poetry. I think it would be helpful for an Italian reader to start with a look at Whitman and what is presented as the “vatic” tradition in our literature.

Alcune considerazioni, perlopiù di natura storica, sull’uso, nella poesia statunitense, dell’“io” e il suo più raffinato collaboratore, il “noi” autoriale, didattico o di commento. Credo sia utile al lettore italiano cominciare da Walt Whitman e da quella che si presenta spesso come la tradizione “profetica” nella nostra letteratura.

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